~I wholeheartedly support all kinds of research that you can do before putting notes to a page. Steal ideas! Save yourself time! Don’t reinvent the wheel with every new arrangement, especially if you’re cutting your teeth for the first time.
~Ostinatos, or repeated bits of music, make teaching and retaining a lot easier…so you should do [...]
As far as first-time arranging tips, I’d advise against taking the basses too low. Even if they have a solid low E, the chords will ring better with the basses up the octave, and they’ll sing better, too! The same goes for the low F and frequently the low G as well.
If [...]
A reader wrote in requesting some pointers on arranging for his high school a cappella group, and I thought I’d post a few here: advice for writing your FIRST arrangement. These tips do not necessarily apply to ALL arrangements and are not general rules, but are good ways to make sure nothing goes too haywire [...]
It’s just been stuck in my head lately. Nota, the winners of NBC’s The Sing Off, did an amazing fusion that’s been lodged in my brain of Jay Sean’s “Down”. Watch this:
If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it’s missing. Get [...]
Not only does pitch exist, it’s part of the trifecta of all music (the other brothers Timbre and Rhythm will have their day).
Sound is a giant pitch. Not just one, but lots of pitches. Big pitches, small pitches, pitches you can pick out in a crowd, and pitches that don’t sound like a pitch but [...]
In this article, we’ll be going through the motions of arranging a song. Instead of looking at a completed arrangement, we’ll walk through every step of the process to show how an a cappella arrangement evolves and is finally completed. Today, the tune is Happy Birthday, that old standby of yore.
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Dan Newman on July 12, 2009
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If you went back in time with only your computer, it’s saved internet cache, and a love for a cappella, how would you teach an arrangement if music notation hadn’t been invented? Well, if you’re Guido of Arezzo, you’ll just invent notation and that will be that…or you could utilize some non-traditional notation techniques. Fortunately, [...]
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Dan Newman on June 2, 2009
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It seems that there isn’t a quick explanation of a composite part on this website…so here’s one!
A composite part is when several parts combine to create one effect. Sometimes it’s used to make bell chords or arpeggios, or perhaps you are creating a sustained tone by fading back and forth between two singers. Maybe it’s [...]
As graduation draws neigh, there are hundreds of little aca-seniors that are about to enter the marketplace with downcast eyes as the economy struggles more than a bass trying to sing Michael Jackson. However, if you are savvy and creative, all those skills picked up with your collegiate or whatever a cappella group can be [...]
To counterpoint the post below about über alto parts, here’s something that shows some excellent soprano work. This is a segment of a Cranberry cover of Wonderwall done by UGA Noteworthy.
[Audio clip: view full post to listen]
This is a definitely a CD recording: you’ll be hard pressed to find a hall with such wonderful [...]